The performance encouraged Danas gourmet kitchen essay at least double response. Diverse themes operated against any false notion of commonality amongst the participants. As these gaps appeared between spoken and speaker, Holder began fiddling with an ear piece.
The deliberately amateur clumsiness of these techniques was balanced by her clear musical prowess and confidence as a performer. Moore used song and hand drawn acetates on an overhead projector to convey sample songs and plot. Talk, of course, should not and cannot be confined to the particular variants which take place in galleries or lecture theatres.
As the recent Susan Hiller show at Tate Britain demonstrated, even the dead are busy chattering through the static of radio hiss and white noise. What are we to do with this information? What is it acceptable to say in a particular situation?
In pieces by Annie Davey and Emma Kay this was matter of factly the case, with artists reading aloud texts printed on A4 paper, as if all the decisions, acts and costs of publishing became a matter for voice and site.
Such framing foregrounds the body, and a view of both talking and thinking as physical gestures in space, to be shaped and arranged as bodily forms. In their after life, however, works are orally passed on in multiple locations, verbal descriptions and narratives, as here, rumours and tale telling of a varied and promiscuous speech life.
The volume of sound remained the same. Selected Essays on Art and Literatureseveral talk poems appear amongst conventional critical essays and interviews.
Stills from Falke Pisano, A Sculpture turning into a conversation As with Holderquestions about how such talks work as knowledge are foregrounded. Before artists doing stand up, there was the lecture performance.
If the title suggests a process with a definite conclusion, this compounding of logics foregrounds uncertainty and repetition. How does its specificity play with an audience presumably not out for an evening on early histories of film preservation?
As Holder demonstrated, the single figure, holding a microphone, pacing the stage, producing casual seeming fake spontaneity through a crafted and memorised routine, is its dominant mode.
Photographs copyright Sam Horine. In one moment, Holder held the microphone at arms length away from his mouth and continued to talk. This gap was composed of questions. It might appear to one person to be primarily a theme move or to another person to be a musical move or to another person to be a philosophical unhinging of Danas gourmet kitchen essay question, or whatever.
Unlike Moore, Pedraglio and Holder, Beale did not this time use humour and absurdist inventiveness. In Uncategorized on December 20, at 8: Instead, such theatrical artificiality created a quiet concentration that opened up a gap between audience and performers.
The attraction to talking is in part its garrulousness.Dinner menu. Dana's captures the zest of life, gathering of friends, and the simple appreciation of delicious food.
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